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Introduction
Art provides the person or people who produce it and the community that
observes it with an experience that might be aesthetic, emotional, intellectual,
or a combination of these qualities. When looking into paintings, we can
see the emotions of the painter. In Van Gogh's paintings, we can easily
understand his emotions when he was painting the picture. Paintings can
also be the reflection of living styles like in the pictures of Toulouse-Lautrec.
Some kinds of art can also reflect both living styles and emotions. For
example in Gauguin's paintings we understand the way he lived and also
his emotions when he painted his pictures.
Vincent Van Gogh
Van Gogh is a famous impressionist, born on March 30, 1858 at Groot-Zundert,
a village in Dutch Brabant. Exactly one year before, his mother gave birth
to a stillborn child, who would also have been named Vincent. Writers
of psychoanalytic studies attribute many of Vincent's difficulties as
a child and his later preoccupation with sickness and death to the fact
that he was a so-called 'replacement child'. Another explanation might
be that his parents had buried the first born Vincent next to their house:
daily, the small Vincent might have seen a gravestone inscribed with his
own name and birthday.
His sister Elisabeth wrote about Vincent: "Vincent's brothers and
sisters felt instinctively, with the delicate sensitiveness of children,
that their brother preferred to be alone. If he had a vacation from boarding-school,
he sought not their companionship, but, rather solitude." She said
that Vincent loved to walk and read, as long as he could be left alone.
His father wanted Van Gogh to be an art dealer so he sent Van Gogh to
a gallery to be taught about art. Unfortunately he was never an ordinary
person so he stopped going to the art gallery. Then he started to attend
Cormon's course that Toulouse-Lautrec was taking lessons from. By the
time he was having his second unhappy love affair.
After the death of his father, Van Gogh needed money and he gave himself
to work more than before. He had arguments with Toulouse-Lautrec and Bernard
and he met Gauguin. Van Gogh and Gauguin became good friends and shared
projects together. Unfortunately they had many arguments. Vincent was
becoming a mad man and he was attacking to Gauguin in the arguments. In
one of their arguments Van Gogh cut his ear in order to give himself a
punishment for treating badly to his friend. After this argument friendship
broke up.
Theo:
"Vincent and I can absolutely not live together without turmoil,
because of our incompatible characters, and both he and I need quietness
for our work." And Vincent wrote: "All and all I think Gauguin
will either definitely leave or definitely stay."
Van Gogh shot himself in a madness attack. The bullet had entered his
side instead of his heart, and he had been able to walk home. Vincent
asked for Dr. Gachet, who was sent for. The local physician had already
been called. The two doctors concluded that it was impossible to remove
the bullet. The next morning Theo arrived from Paris and remained at Vincent's
bedside, while Vincent lay there quietly smoking his pipe. When Theo tried
to persuade him that he would be healed, Vincent answered: "La tristesse
durera toujours." (Sadness shall last forever) Vincent died the next
night, July 29, at half past one.
Emotions
In France, he was immediately impressed by the hot reds and the yellows
of the Mediterranean, which he symbolically used to represent his own
mood. When he became a voluntary patient at the St. Remy asylum, he was
admired of some other painters. He changed his palette into pinks, but
his brushwork was increasingly agitated. The dashes changed into swirlings,
twisted shapes, which were often seen as symbolic as his mental state.
After the fit of madness, his life became very unhappy and his work suffered
correspondingly. When he was in asylum, the 150 pictures he painted there
show us how desperate he was to live. We can see how lonely he was from
his paintings.
"His
brush strokes twisted and turned with his fluctuating emotions, for him
nature came to represent the inescapable disasters which overwhelm man
kind"
In one of his pictures he painted the night very dark and also very shiny
which was explaining death. In the month he painted that picture he shot
himself and he died in such a night. When he was painting that picture,
most probably he was in a depressive mood.
Paul Gauguin
"In
art, all who have done something other than their predecessors have merited
the epithet of revolutionary;
and it is they alone who are masters."
"Where do we come from ?
What are we ?
Where are we going ?"
Paul Gauguin 1898
Paul
Gauguin is also a famous impressionist, born in 1848 in Atuana. He is
also a French painter like Toulouse-Lautrec. His father was a journalist
and his family moved to Lima after Napoleon the IIIrd's attack. After
4 years Paul returned to Orleans with his mother. When he was 17, he saw
the entire world when working in a ship. He married Mette Sophie Gad.
After his teenage life, he met Camille Pisarro and started to work him.
In his first paintings he was generally using dark colors. He was making
money only by selling his paintings so he was always painting. After sometime
he started to hate Europe and civilization.
He met
Vincent Van Gogh and worked with him for sometime. The friendship ended
with the loose of Vincent's ear. He also met George Seurat and Paul Signac
who admired him much.
He moved
to Tahiti and lived there until he died. In Tahiti, his colors changed
into bright colors, he wasn't such hateful as before. He left impressionism
there and started to paint in a new way. He inspired even Matisse and
Picasso.
Emotions
In his
entire life, Gauguin's main aim was to express ideas, thoughts, and emotions
directly. He wanted everybody to look at his paintings and understand
what he tried to express. When we look into his paintings, we can understand
his emotions by the colors he used. Also the places he painted show us
where he lived so we can understand his living style by looking at the
details.
Gauguin
inspired many painters; he started new genres of art, Fauvism and expressionism.
He was a postimpressionist who expressed his ideas, beliefs by his paintings.
He showed his happiness by bright colors and sadness by dark colors. He
hated civilization; he painted Tahiti where he moved.
Henry
de Toulouse-Lautrec
The living
style of Toulouse-Lautrec was different than an ordinary person's life.
Toulouse-Lautrec was born in an aristocratic family, in France in 1864.
Toulouse-Lautrec's father was a count. Count was also known as notorious,
eccentric for all kinds of unpredictable behaviors. He was not acting
like an aristocrat in some ways, even his living style was different then
a normal aristocrat. The different personality of Count Alphonse could
have pass to little Henri and may be Henri de Toulouse-Lautrec carries
some of the characteristics of his father.
Toulouse-Lautrec had a genetic problem in his 12th age and he broke his
legs and he didn't grow up after the incident. Toulouse-Lautrec was so
short to follow his dad when riding horse. Because he couldn't ride horse
or do things like his father, he started to deal with painting and sketching.
He was
a teenager who was honored to be a student of artist Fernard Cormon. His
studio was located in Montmartre. After his graduation from Cormon's school
of arts, he started to have a bohemian life. He was always drinking so
he made pictures of cabarets, racetracks and brothels. Love and alcohol
were his mistresses. He started going to the "Moulin Rouge"
and he also made the pictures of Moulin Girls. Moulin Rouge (Red Mill)
was a symbol of Paris at that time.
Today
we know Henri de Toulouse-Lautrec as the archetypical bohemian artist
of that beautiful era in Paris. Toulouse-Lautrec captured the spirit and
the emotion of the era in his portraits and posters. Although his handicap
and alcohol abuse kept him from enjoying some of life's pleasures, Toulouse-Lautrec
clearly shared in the "Joie de Vivre" (Joy of life) of the time.
Today we can share it in his art works.
Conclusion
Paintings
reflect the emotions and living styles of the painters. Toulouse-Lautrec,
Vincent Van Gogh and Gauguin are some examples of reflection of emotions
and living styles into art. When looking into a painting, seeing the living
style of the painter makes us understand the conditions he lived in, the
problems he faced. The emotions we see can be strokes or colors. A tear
can turn into a deep color or a smile can turn into a smooth color. Stars
can be hopes, night can be hopelessness.
"Art is freedom" says Leonardo da Vinci. Freedom is using colors,
making strokes. When we dive into freedom of painters, we can see the
reflection of their pain, their happiness, their sadness or their fear.
We can feel a lot of different thinks when are looking at a picture. The
things we see are living style and emotions of the painter.
"Art is a way to escape". Art is a way to escape from all pains.
We can live in paintings; we can see parts of us in paintings. We can
share the thoughts of painters; we can be the one of a person in the paintings.
The most important thing is that we can go to the other parts of the world.
We can go to Tahiti where Gauguin lived; we can go to the Moulin Rouge.
Or we can see the father of Toulouse-Lautrec, we can go to the clinic
and we can share their pain. We can find the reflections of living styles
and emotions in art.
Bibliography
1) Howard, Kathleen
ed. (1994) The metropolitan museum of Art guide, New York: The Curatorial
Staff of Museum
2) Cooper, Douglas (1956) Henri de Toulouse Lautrec, New York: Harry N.
Abrams. Inc.
3) Rothenstein, John (1978) Van Gogh, Milano: Funk & Wagnalls
4) Van Gogh, Vincent Theo'ya Mektuplar, İstanbul: Yankı Yayınları
5) Beykan, Müren ed. (1997) Sanat Kitabı, Singapur: Yem Yayın
6) Compton's 99 Encyclopedia Deluxe
7) http://art.koti.com
8) www.interesting.com
9) www.about-van-gogh-art.com
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